Saturday, October 12, 2013

Ballet Wall Art by Susan Drawbaugh

Recently we came across this little ballerina wall art entitled "Her First Audience" from illustrator Susan Drawbaugh. We found her creations to be beyond precious and we just had to share them with you. Read on to find out more about Susan and how to get your hands on some of her art for your room, nurserie or studio. 



"In our interview with Susan we asked her what inspired her to create this piece." 

Susan: "My grand daughter has loved doing little ballet moves since she saw the Nutcracker at two years old. This idea came months later as I caught her setting up her stuffed animals to watch her while she performed. That scenario was so priceless that I couldn't get to my drawing board fast enough! After the initial painting, I recreated the little girl with different hair and skin colorings to fit the look of other little ballerinas."  



Ballet Babble: What other types of artwork do you do? 

Susan: "I specialize in wall art for nurseries and children's rooms, as well as humorous wall art for grown-ups - in some cases I customize the picture to fit a particular person. Other works that I've done are illustrations for children's picture books, juvenile stationery lines, greeting card lines, children's magazine editorials & covers, company logos - a wide variety throughout the years."

Ballet Babble: "Do you have a website where we can view or purchase your work?"

Susan: "Yes. My complete portfolio of artwork can be viewed at http://www.susandrawbaugh.com. To purchase this Little Ballerina piece and/or other wall art that I've done you can go to https://www.etsy.com/shop/susandrawbaugh?ref=si_shop. Right now I'm offering a 15% discount for the Little Ballerina (and all other prints) through the month of October by using the coupon code of: wallwhimsy2 at my Etsy shop checkout." 

Ballet Babble: "Do you plan on doing other artwork for little ballerinas in the future?"

Susan: "Yes. I already have sketches in the works. There are so many precious scenes to portray of these little dancers that I can't wait to put them down on paper! "

Ballet Ballet: Is there anything else you would like to add? We really appreciate you sharing your art with us and the discount code too! 


Susan: "Thank you so much! I appreciate your sharing my work with other little ballerina enthusiasts out there! "

Saturday, September 28, 2013

Twerking Will Die Tomorrow, but the True Art of Dancing Will Live on Forever


Zachary Prentice and Kaya Aman, ballet dancers on the CW reality series Breaking Pointe, dance in a dramatic short film that takes place in an unexpected location.


    

Director: Matthew Irving
Camera: Blake Hendrix
Dancers: Zachary Prentice & Kaya Aman
Music: "The Awakening"
Composed by: Andy Quinn
Courtesy of: De Wolfe Music USA

Zachary and Kaya  star in “For In This Space I Dream” (https://vimeo.com/69654832), a short ballet film about human desire, dreams, and the endless search to find oneself.
In an age where twerking is confused for dancing, it’s nice to take a step back and appreciate the human form and what it can do, without feeling like you want to punch someone in the face.


Sunday, September 1, 2013

Searching for Perfection: Interview with Joy Womack and Nikita Ivanov

You may or may not know that I have been following Joy Womack's story for a long time. Sometimes I post pictures of her or share videos. I posted right away when I found out that she was the first American woman accepted in the Bolshoi company (read it here) . Joy said it best when she said "Dreams do come true". She is an inspration to me and I want to share more of her story with you. 

There is documentary being released called Searching for Perfection and I am excited to post a quick Q & A about the movie with Joy and Nikita. I have tons of ballet documentaries and I am really excited about the movie. =) 

Watch the trailer and then read my interview with Joy and Nikita below. 




1. Could you please tell us a little what the documentary is about?

Joy: I think the film is first and foremost a window into what we as artists live. Our struggles and our victories. It focuses primarily with the small things in our daily routine with some interview about our background and our dreams...

2. The short films are usually created by young independent filmmakers with very low or zero budgets, without any studio involved. Were not you afraid to be part of such a project?

Joy: At first I said yes and was very excited and then I realized the commitment and became scared. Then I realized the youth is for the young and risks should be taken in order for growth. I am so amazed at what the team put together. They are all so dedicated to their craft and passions and it was inspiring to work with! 

Nikita: No, I was not afraid at all, it was rather interesting. The team which created the film is very diverse, interesting and motivated to make a unique story. In the filming process we’ve become so close together and sharing a common goal.

3. The documentary focuses quite a lot on your private life. Your fans definitely will enjoy it. Was it difficult decision for you to open your private life to the audience?


Joy: I think back now and I know in this film it will be a very intimate look into my experience my first year. I was very delicate in a way and they caught that struggle on camera. It’s amazing how fast we grow and change... I am for it because its interesting to collaborate with other artists and open up the good and the bad. But the future is long and sometimes life definitely gives you forks in the road. Who knows where we will be in 10 to 15 years... and I am grateful that I’ll be able to look back on this film almost like a yearbook. 

Nikita: When it comes to a good story I am all right with it, why not) I trust the director’s vision and ready to any interesting ideas.

4. Were you involved in editing process or let the filmmakers decide what is the best for the film?

Joy: I think the film producers and editors did a great job getting what they wanted to share out there in a beautiful way. I feel like we may have suggested a couple things here and there but for the most part it was there call))).

5. Are you satisfied with the final cut?

Joy: I am excited to see the reactions of the viewers but most of all I really hope it blesses Dina and her wonderful team!

Nikita: I like it!

MORE INFO: 

You can find out more about Joy on her website http://www.joywomack.com/ and learn more about the movie at http://searchingperfection.com/ . 

You can LIKE the movie on facebook here... https://www.facebook.com/SearchingForPerfection

The film is produced by Dina Burlis and you can read more about her here... http://searchingperfection.com/en/production-staff/dina-burlis/

Joy and Nikita © Searching for Perfection








Thursday, June 27, 2013

My Pointe Shoe Recommendation

Below is my recommendation. You can try to get one done at  http://dancers.invisionzone.com/index.php?showforum=44. You have to be a member to post. It is a heavily moderated forum (which is a good thing). Be sure to follow the rules for posting and all guidelines. Have your mom help you. My recommendation came from an ex-ballet dancer, company shoe mistress and ballet teacher as well as mother to a male dancer. 

This is the information my mom provided: 

Picture links below for pointe shoe recommendations. Age 14.

Intermediate. Dancing 10 years on pointe for 3. 
Length Right foot 9.25-9.5"
Length Left foot 9.5 "
Width Right and Left foot 4.5"
Big toe Right and Left Foot 3.5"
US Street Shoe Size 7.5-8 depends on shoe in suffolks album you can see them on a foot sizer.
  Her right foot is nicer and she complains that feet don't pointe or show well in the shoes she has tried when doing center work. Trouble rolling through. Nothing seems to be an extension of her foot. Just klunky. People have also suggested sewing the heel and 3/4 shanking.


1. Her feet

http://s1274.photobu...12/library/Feet

2. Her feet in Bloch Euro Balance 6.5xxx great for turning - heel looks terrible, does not show arch, sole of shoe seems to cover  so much surface area! It's very big and bulky.

http://s1274.photobu...2/library/Bloch

3. Her feet in Suffolks 6xxx - look a bit nicer but she doesn't turn or go over box as well. Was thinking about trying the stellars that are lower profile.
Thank you for your help!

Reply from the expert =) 

I think the Stellar may end up being the one. Have her start with size 6.5 XX (as per Mark himself)

She has a tapered toe configuration, meaning she needs to stay away from square shoes like the European Balance. She has compressible feet as well. She definitely has a space between her big toe and 2nd, which is causing the beginning of what could be bunions, so there are some strengthening exercises I think she needs to do daily. Her 5th, 4th, and 3rd toenails need to be shorter than they are too. I will write more later but am off to an appt.

Your dd uses her feet really well, and I do see what she is saying about the inequality between her 2 feet. Fortunately, she should be able to improve in the way she'd like! She will have to be diligent in doing daily exercises, but it should be able to be remedied. Your dd has low profile so low profile shoes will be necessary. She needs a medium weight shank so "Standard" or "Medium" or 1.8mm-2.0mm should work well for her. Her vamp length should probably be around 4 1/4"- 4.5", but no longer. Her side seams should be kept lower to show off her insteps- somewhere around 2" or lower should work.


She may want to be sure that she's working equally on both legs, and should probably stay away from spending time working on "the good side". That means choosing variations that might contain work that is done on her weaker side, and ensuring that she works equally in class. Theraband work would benefit her, and it would be good to get a PT's opinion in order to help maximize her progress. She seems to be well on her way!




Wednesday, June 12, 2013

San Diego School of Ballet Student Show - Coppelia

Short summary of Coppelia:

Coppélia is a life size dancing doll created by Dr Coppelius. The doll is so lifelike that Franz, a young man from the village, becomes infatuated with her thinking she it is a real girl. He sets aside his true love, Swanhilde, and develops a plan to meet Coppélia. Swanhilde dresses as the doll, pretending to make it come alive, and saves Franz from a terrible fate at the hands of the inventor. It is a playful and fun ballet! If you have not seen it you should definitely make a point of it.

Here are some rehearsal videos of our show. I will load  show videos asap. We rehearsed ever Saturday and Sunday for about 3 months.

Fernando Martin-Gullans (14), Erick Garnica (17), Brittney Geoghegan - Coppelia/Swanhilde (15), Robbie Downey (14) , Polina Rozhkova (17) , Sara Yuen (17), Sophia T (14), Ruby Clementine Kerncamp (17), and Grace (13)

Staged by Maxim Tchernychev






Monday, March 18, 2013

Modas Dance Workshops and my Collaboration with Duncan Cooper!!

I will be working with Modas Dance teacher and choreographer Duncan Cooper April 18-19! Duncan was a Principal Dancer of 9 years with Dance Theatre of Harlem and also spent several years at San Francisco Ballet. We are collaborating on a contemporary piece, meaning he's choreographing it on me! I seriously can not tell you how excited I am to work with THE Duncan Cooper. And I should add the piece will be on pointe. That should be a challenge but I am looking forward to being challenged like that! As you know I am counting the days until I leave for Mr. Ellison's Ballet Summer Intensive in NYC so this is a nice opportunity to help me make it through until summer. Modas Dance has a great summer intensive in New Mexico that runs the same time I will be gone. But if you haven't decided where to go yet you can still submit by video to Modas or come to one of their workshops scheduled in April. If you are local to San Diego I hope you will come take this workshop with me! 

I will also be documenting my work with Duncan and making youtube videos for you guys! I might even be able to talk him into doing some Pas de Deux with me!

Also, many people have asked about my yagp videos. I will post them as soon as they are available! 







Tuesday, February 5, 2013

New Free Ballet App! How long can you last before you get tricked?









Get it free HERE   PSYMON SAYS


There are six 2d cartoon characters to choose from, each has his or her own unique animations. Characters include a skater, BALLERINA, pop dancer, martial artist, and your average boy and girl.
The rules of the game are simple, but Psymon Says will challenge anyone’s ability to stay focused and pay attention. The goal is to follow what Psymon Says and not get tricked into making a mistake. Nobody likes to be tricked, but Psymon tricks everyone. The best anyone can do is to see how long they can last before getting tricked. Here is a short explanation of the rules.
1. Only follow what Psymon says. Example: When you hear “Psymon Says jump kick!”, swipe up.
2. Swipe another direction when it’s not what Psymon says. Example: When you hear “Now jump kick!”, swipe down instead of up.
3. Swipe before the green timer bar is full to receive combo points. Combo streaks can quickly increase the score.


Device Requirements:
* iPhone 3GS, 4, 4S, iPhone 5, iPod touch (3/4/5 Gen) and iPad
* Requires iOS 4.3 or later
* 39.3 MB
Pricing and Availability:
Psymon Says – Simon Says Game 1.1.5 is Free and available worldwide exclusively through the App Store in the Games category.
Get it free HERE 


Thursday, January 31, 2013

Pointe Shoe Quest! Fitting Freed Pointe Shoes and More.

This is a post compiled of information obtained in an email conversation with a very helpful online friend. She danced professionally for 17 years and began ballet at age 6, pointe at 11, and thought that she could help share some advice from her own seemingly endless pointe shoe quest. She danced professionally in numerous companies, US and European and we are so excited to have her insight!

Thank you Kelly!



All about FREED in Kelly's words.

In the end I found my shoe to be a Freed Wing Block maker Crown with cut down sides and lowered heel. Similar to Robbie,  I have wide, rather square feet with a narrow heel.  Now these shoes were a special order, but if you really are interested in trying to find a Freed shoe, maybe at least for auditions or performances, I would suggest you try to find a stock shoe in a maker that suits your toe configuration and then build a special order from that (shorten vamp, lower profile, cut down heel to help eliminate bagginess, customize shank, etc).  The beauty of Freed is that you can change almost anything once you find the right length and maker.  There is a spreadsheet I have with all the current Freed makers and their box shapes from tapered to wide and square, it might help if you are in a store looking by yourself.

My recommendation is to contact Clara76 (screen name) on “Ballet Talk for Dancers by Invision” .  I read the pointe shoe posts weekly and am amazed how she can fit shoes, Freeds are her specialty, by looking at some photos of your feet and certain measurements.  She is the shoe mistress for BalletMet and knows Freed, the makers, and how to help fix issues through special orders like nobody I have ever met.  I would highly consider sending her the photos and measurements and photos they request and see what she suggests for size and makers to try.

The other shoe fitter on the site is Victoria Leigh and she could help with suggestions on shoes by all available brands.  You have too beautiful of feet to be hiding your arches, whereas the right Freeds would be beautiful on you.  Keep in mind though that Freeds, in general, are a softer shoe and will break down faster than say, Grishko.  When I did not have a company paying for all of my shoes (sometimes 7-10 pairs a week) I would wear Grishko in class and rehearsal and Freeds for dress rehearsals and performances because you can break them in quickly and they are quiet on stage.

Otherwise, if you find yourself in NYC this summer for a SI make sure to make an appointment at the Freed USA store in Long Island (check out their Facebook page).  I would ask to be fitted by Brenda, Marie, or Mary.  Another source to check out a little more about Freed would be posts on YouTube.  Check out the youtube video featuring Marie Johanssen talking about makers and different toe configurations. (embedded below)

Personal tip for Robbie: From watching Robbie's past videos I would stick to a classic Freed and stay away from the Freed studio line.  They have a very strong 2.5 shank and can be hard to break in even for taller and heavier dancers.  Robbie may also want to ask her teachers about 3/4 shanking her shoes.  It is easy to do yourself and would really emphasize her arch.  I would experiment on an old pair of Suffolks before trying on a new shoe since it does feel different. 

Quick Tip: If you know your current Suffolk size that would be the same as your Freed size. Freeds are generally fitted 2 1/2 sizes down from USA shoe sizing.

The life of a pre-professional ballet dancer - Interview w/ Scout Forsythe age 16

Get your popcorn ready. Fifteen minutes talking to Scout Forsythe about the last few months. She talks about YAGP France, scholarship offers, attending JKO and ABT company class with Paloma Herrera and David Hallberg , pancaking shoes and she even gave me a signed pair that she wore in YAGP France 2013 to auction off as a fundraiser for my SI ! The link will be at http://www.robbiedowney.com when I have it ready .

Tips on Traveling with a Tutu with Scout Forsythe

Thursday, August 30, 2012

Join My Facebook Event !

We created a facebook event to spread the word about how I can get up to $3 towards my training at no cost to you! I get up to $3 towards my training when you join Goldstar!

It's FREE & you save 50% on event tickets from sports to concerts to ballet! Please do it for me! It only takes a minute.

We get all of our ballet tickets on there at great prices! There is no time frame you can do it anytime and tell your friends.

I'm also giving away old pointe shoes to one person in the event attendee list by random drawing in November. Anyone can join the event even if you don't click the link. Also, some of you may not be able to if it's not in your area. It goes by USA zip code I think. The link is at http://www.balletfreak.com/ or also on this blog in the menu to the right. Click the Goldstar banner. My facebook page is at http://www.facebook.com/balletbabble if you want to join the event.

Also on http://www.balletfreak.com if you shop on Amazon or buy from any of the affiliate links, like leotards from Motionwear, a % goes to my training. =)

Saturday, July 7, 2012

"It's Possible Dreams Do Come True" Joy Womack Makes History


We have been following Joy's progress at the Bolshoi for a while now. Today we heard major news and we knew it was coming. We knew they would take her and we never doubted it for a minute, well this is ballet so maybe for a minute. Joy Womack will be the first American woman to join the BOLSHOI! THE BOLSHOI! All of her sacrifice and the sacrifices of her family have been rewarded. She left home at 15 to go to Russia to train, no, to get the best training in the world. She didn't know the language and she was the new girl. Ballet training is challenging enough with your family and friends right by your side. It is no small feat what Joy did and she deserves this. It's a real blessing to see a dream unfold and come true right before your eyes.

Joy will be able to dance in a culture where ballerinas are the equivalent of famous football stars in America. She will dance for audiences that know and appreciate ballet in it's truest form. That has got to be a huge driving force for any dancer that has ballet truly in his or her blood. And any serious dancer can relate to her quote in the picture above. Ballerinas are made of blood, sweat, tears and some actually get to dance for a living and dance where they REALLY want to. Joy will do it with the Bolshoi.  We hope you are as inspired by her as we are. What an amazing person. Congratulations Joy!!!

XOXO,

Gina and Robbie

Saturday, April 28, 2012

My Volunteer Experience at Boys and Girls Club for National Dance Week 2012


On April 25th I went to one of the San Diego Boys and Girls Clubs to teach 2 dance classes. My sister Kyla came along to help. The first class was Kindergarten and First Graders and the second class was 3rd and 4th graders. Both classes were half, if not more, boys! The kids wore their street clothes but towards the end took their shoes off. I told them why I was there and how Misty Copeland used to attend Boys and Girls Club. I showed them a photo of her as Firebird and they said "Whoa! Is she real?!?" I also showed them some pointe shoes.

Only about 2 of the kids out of both classes had had ballet before. It was a totally new experience to everyone else. The younger group of boys was more willing even though they did laugh a little at the idea. With the older boys I had to explain several times how football players take ballet for flexibility and balance. When I was telling them some of the ballet stories one little boy suggested a Batman ballet. I think he might be a future choreographer. One boy yelled out "How old are you?! Are you the teacher?" I said "Yes and I'm 13." Sounded funny.

The kids followed along as I showed the positions and explained how to pull up through the top of their heads like puppets on a string.  They did tendu and even went across the floor with imaginary swords. Kyla demonstrated a leap over a shoe and they were all very impressed. One little girl really had a passion for it and she was pretty good considering. She always had a smile from ear to ear when going across the floor. I could tell she was really into it and had a genuine passion for it. I couldn't help but notice the ones that had some good turn out =)The boys definitely liked leaping the most and most added some sort of knee slide at the end or a little original twist or kick of the foot. Silly yet creative.

It was fun teaching them how to curtsey and bow and thank the teacher at the end of class. They all got a coupon for Discount Dance Supply and were on their way. I actually went there to inspire them but they actually inspired me. I have always liked helping assist the beginners at my studio but this was ALL me, except for Kyla helping out of course. I developed an even greater passion for teaching and having a studio someday. I have always wanted to start a program for low income families so their kids can train for ballet if they want. I'm definitely going to try to do that in the near future.

XO,

Robbie




Thursday, April 26, 2012

2012 YAGP New York Finals Results for Women - Top 20 Final Round

Congratulations to the following dancers from the USA who made it to the Final Round of Youth America Grand Prix 2012 in New York City! 

Youth America Grand Prix (YAGP) is the world’s largest student ballet scholarship competition that awards over $250,000 annually in scholarships to leading dance schools worldwide. The competition is held annually around the world and in New York City, and is open to dance students of all nationalities 9-19 years old.

Senior Women (USA Participants) Top 21. Here are the girls from USA: 

Tyler Donatelli Southland Ballet Academy CA
Rachel Richardson The Rock School PA
Chisako Oga V and T Dance CA
Tiana Lovett Lovett Dance Center CA
Jennifer Bummer Dmitri Kulev Classical Ballet Academy CA
Hannah Bettes Next Generation Ballet
Patel Conservatory FL
Calley Skalnik Tulsa Ballet Center OK
Lauren Carfolite The Rock School PA
Deanna Pearson Akhmedova Ballet MD
Dominique Alessi Marat Daukayev School CA
Jessica Payne Dmitri Kulev Classical Ballet Academy CA

 Junior Women (USA Participants) Top 24. Here are the girls from USA: 

Gisele Bethea Master Ballet Academy AZ
Grace Davidson Faubourg School
Austin Eder Anaheim Ballet CA
Larisa Nugent Maryland Festival Ballet
Mackenzie Richter Int'l City School of Ballet in GA
Aubry Mason Dmitri Kulev School CA
Olivia Gusti & Gabrielle Beach Next Generation Ballet FL
Juliet Doherty Fishback Studio NM
Miko Fogarty Westlake School of Perf Arts CA
Sophie Sea Silnicki Pittsburgh Ballet School
Serena Sovdsnes Art Of Classical Ballet FL

YAGP NY Final Round Senior Men from USA:

Cameron McCune The Raleigh School of Ballet NC
David Donnelly Northern Cincinnati Youth Ballet OH
Albert Gordon The Washington School of Ballet DC
Devyn Lovett & Patrick Frenette Dmitri Kulev Classical Ballet Academy CA
Derek Dunn & Andrew Czerkawski The Rock School PA
Ka'imi Cambern Ellison Ballet (NY) CA

YAGP NY Final Round Junior Men from USA:

Austen Acevedo & Blake Kessler Orlando Ballet FL
Eli Gruska Marat Daukayev School of Ballet CA
David Preciado Los Angeles Ballet Academy CA
Tanner Bleck Bluegrass Youth Ballet KY
Kemper J. Cassada Next Generation Ballet FL

Congratulations also to the International Finalists and MERDE to all! 

Chisako Oga Senior Women Finalist

Friday, February 10, 2012

Interview with Henrik Lamark - Professional Ballet Dancer and Blogger Extraordinaire

Henrik Lamark, author of Tights and Tiaras.com. © Jørgen Mathisen


Henrik Lamark

Age: 25

Born in Ålesund, Norway

Lives in Győr, Hungary and dances with The Győr National Ballet of Hungary









At what age did you begin dancing?
I started dancing already at four, but I had a severe hip displacement, and went through a series of surgery from age 6 to about 8. I started dancing more seriously in my teens. I wrote a post on Tights and Tiaras about how I began to dance, and what the surgery did (and didn't) mean to my career called "The importance of not assuming". 

How did you know you wanted to dance?
I'm not sure how, but I know I told my parents I wanted to become a dancer already at age three. I have no clue where that thought came from, but being a stubborn bastard, I lived up to the idea. It wasn't like it was always written in stone that I should dance either - my background and abilities were far from ideal, and I didn't really decide to become a dancer until my mid teens, but the interest were always there, and I never doubted it.

Being a boy, did you feel pressure to not dance ?
I did in academic school and from other kids, but fortunately, I always had my parents and my teachers that supported me and cheered me on to continue doing what I enjoyed, and not listen to others. Without that support, I don't think I would have continued dancing. Today, that is one of the things that engage me, showing the world it's ok for a boy to dance! Not all young male dancers is lucky to have the support around them I had, and that is a shame. In my post on men in ballet I try to confront some of the prejudices connected to male dancing.
Henrik as Ego from Carmina Burana Hungarian Opera House

Did anyone ever tell you you could NOT be  dancer? If so why?
My doctors kind of did, although not to me directly as much as to my parents. Today, I am very happy that my parents chose to let that decision be mine instead of anyone elses. I was always well informed about the handicap my hip surgery could cause, but it was never presented to me as a problem, and therefore, I didn't treat it as one either. In short, my parents gave me the opportunity to find out for myself if my legs could do this, and it turned out, they could. I have had very little problems with my hips in my career, and many of my colleagues don't even know about the surgery I had as a kid. If they would have listened to the doctors, I would never even have started what would become the obsession of my life. 

Were your parents supportive?
Always! They were, and still are, the pillars my whole career was built on. I know I can always rely on them to support me and help me make good decisions. They are my biggest fans :) I wrote more about that too in the post I linked to earlier. 

When did you realize dance would be a career for you?
When I was accepted to the Hungarian State Dance Academy at 18, I was thrilled by finally doing dance on a professional level. But that it would actually become my career wasn't really clear to me until I was standing in my first company, the Donetsk Ballet of Ukraine, with a contract and a spot in the boys changing rooms. That was a great feeling - I did it! I'm a dancer!
Practicing with partner Anna Krupp from the Hungarian National Ballet for pas de deux. © Daniel Bolla















What is your least favorite thing about ballet?
It's so frickin' hard! Ballet technique is just a pain in the behind, to be honest!! Everything needs to be repeated until boredom, polished and exercised until it works - everybody who dances know it takes a lot of hard work!

What is your favorite thing about ballet?
My favorite thing about ballet is that it allows me to "turn off" the rest of the world. Dancing requires such a devotion and concentration, when I dance, there is nothing else. It's a great feeling, a mixture of total calmness and adrenaline. It's like zen, really, peace of mind through hard physical work. Or, at least for me, it is… 

Most difficult skill to master?
I have probably spent more time practicing pirouettes than any other part of the classical ballet repertoire, still I wouldn't say I have mastered it yet. That's whats great about ballet - you never master it, you only improve. There is always room for improvement, to be better, to take it up another notch.
Blogger Extraordinaire

You have your own blog Tights and Tiaras, how did that come about?
Ballet is often considered a very closed and inapproachable world, and I wanted to open it up a little. Many people have little idea of what it means to live like a professional dancer, and I wanted to share my experiences, my passion for dance and my life as a dancer with those who don't necessarily know all the ballets, the steps and the whole "world" that exists around dance. So I started Tights and Tiaras. Today, two years later, it's still developing, but I have gotten a good, solid base of readers that support me and helps me continue to develop the site. I have a lot of plans for the blog in the future, now I just need to find the time and the means to actually put the plans into life..

I saw the t-shirts where can people buy them?
The Tights and Tiaras t-shirts were the first item of some merchandize I wanted to create for the blog. The shirts can be bought from our merchandize page

What are your future goals?
I still want to do a lot of dancing in my life, I want to learn new techniques and dance several different pieces for as long as my body will let me. But I also want to develop as a person, experience a lot, travel, meet lots of different people. I guess my goals are to make as much out of life as possible, both concerning my passion, and outside of it. 

What advice to you have for other young dancers, especially the boys?
Work your butt of! Don't rest a day - you are young, full of energy, and you are laying the foundation of what your whole dancing life will be built upon. Listen to your teachers, your mentors, your parents and your friends, but try to figure out things on yourself as well. No two bodies are the same, but you are lucky - you don't need to know how all of them work, just the one thats yours! Work with it, get to know your body! What happens if I do this, or that? How can my body do that turn, that jump, that pose? And follow your heart! The most important thing of all is that you enjoy what you are doing. Only then will you be truly happy, and only then will that happiness and love for dance show through your movements! 

What is your favorite ballet?
Romeo and Juliet for it's passion. Giselle for it's diversity. Swan Lake for the ideal. Bajadére for the depth. The big ballets are all great tales, with so much more to them than what you can see from a short clip on YouTube. One must simply go to the theatre and breathe in the whole ballet to understand what a great art-form it is. I don't have one favorite ballet, it all depends on my mood, my day, the production and the theatre. 

What is your favorite variation?
Albrecht's second act variation is great, it is a simple variation, but has the depth, allows you to add your personality and some story into a quite short piece. I guess that is my favorite one, although there are so many good variations. All for their own purpose, I guess. 

You recently had some time off due to surgery. What was the surgery for and did you want to insane!?
A part of the meniscus of my right knee broke off in December, and I had to have it removed. It is a relatively frequent injury, and not a very complicated surgery. Still, it's surgery, and recovering takes time. I did want to go crazy from not being able to train, but once the knee got good enough to start working with a physical therapist and such, I got a bit more relaxed mentally as well. I have also learned a lot about my body in the recovery process, for which I'm happy! I'm hoping that when I finally recover completely (the doc says March is realistic…) I'm going to be stronger than I was before the injury, both physically and mentally! 

How long will it take you to get back to your prior level of dancing?
Well, it depends on how the knee handles the stress and workload that comes with full training.. The first period of recovery was slower than we thought, but now, I'm working with full   intensity, and things are getting better fast. But with the training comes stress, and just yesterday my knee swelled up to like three times it's size, not a good sign. But I'm working on it every day, and there are small improvements all the time, so I'm confident it will turn out good.

Did you ever compete?
I did some internal competitions in school, but I never attended any big international competition. 

What do you think about competitions?
I think competitions can be a great way for a dancer to improve their skills and compare themselves to others from other schools and companies. That said, I think it's important to remember ballet is about more than just bravura and tricks, which tends to get more attention at a competition. 

Who has been the most influential person in your life as a dancer?
My first and my last ballet teachers! My master, Mr. György Szakály, taught me the last three years of school, and I learned a lot from him. But also my first teacher was very important to me. Her name was Heather Hebbert, she taught ballet to kids in my home city in northern Norway. She was a great teacher, strict, but kind, and was very supportive. I think I learned the love for dance from her!

What shoes do you wear?
I wear Sansha pro's - I like how they are soft and shapeable to the foot. But I sometimes feel their fit is a bit like the one of a garbage bag. I guess I haven't found 'my shoe' yet, although I've tried quite a few ballet shoes through the years… 

Where do you buy your dance wear for men?
I usually buy a lot of my dance wear in sports shops. I like to use clothes that aren't necessarily made specially for dancers, it's cheaper, and they are often of better quality than dance wear. I also usually buy dance wear from dance shops when I'm traveling or on tour, it's cool to have something that reminds you of places you have been. 
My company provide me with the basic dance wear, like dance belts, shoes and such, which is great, both financially, and time wise - we don't have to spend time finding and buying those things ourselves.

Henrik's Links


Please add anything else you would like to add:
Thank you for featuring me on the site, and keep doing your stuff, I enjoy it a lot! For all dancers out there, keep dancing, put your heart in it, and show what you do to the world! Tell folks about Tights and Tiaras and dance on! :)
Cheers, 
H